“Fine Wine” is an award-winning short film written and directed by Maria Shamkalian and shown in Spain, Italy, Romania, Netherlands and many parts of the United States. This heartwarming musical production with over 200 dedicated people involved and five fantastic locations, lets the audience immerse into the magical world of the past and shows that while bodies might change, passion within lives forever.
https://www.facebook.com/FineWineFilm/videos/632624837289564/

How did you come up with the idea and how did you get it going?

One day I was listening to a beautiful song and I got inspired. I didn’t even have to think of a script – I just saw it in my head right away. I even had tears as I was listening to the music and imagining the stories unfold. Then I sent the script to Andre Saballette from BoatHouse Pictures and just asked when we are shooting.

What were some challenges that you have encountered?
There was a number of challenges, of course, as in any production. Budget is always a challenge. Arranging proper holding area for some of the venues was a challenge. Then there were scheduling conflicts, especially for the reshoots, when we needed the venue to be available and all 75 people who were in the scene with exactly the same haircuts, same facial hair, same makeup – this is the reason we had to take a few months hiatus until we found the date for the reshoot when everyone could come. Actors not showing up and having to do emergency casting and bring photo doubles also was not easy. Editing was also very hard when you have a number of great shots that are nearly impossible to choose from, but our editor John Woods and colorist Lawrence R. Greenberg patiently spent many hours with us in the studio working on every piece of the puzzle. And, of course, being a pregnant director and producer was quite a task, but we got through it all

The burning question: how did you arrange the budget?

All the actors and crew were under a deferred payment agreement, except for transportation for NY SAG-AFTRA actors. All the locations donated their time. Catering was provided by Ann Kids Catering as a donation (it was delicious!). All the equipment was donated by Not Sold Separately, Resolution Rentals, and Camos Media, who were brought on board by our amazing DP Collin Welch. Also, we had a wonderful gaffer Joseph J. Graves who arranged all the lighting equipment. Wardrobe, props, and festival submissions were just out-of-pocket expenses.

What are the plans for distribution?
Up until now it was in a festival circuit, but when it was ready for distribution the whole world shut down. We felt that now the world needs hope and positivity the most, so we shared our film publicly on its Facebook Page. When everything opens again, we will revisit the question of distribution, but meanwhile you can watch it here:
https://www.facebook.com/FineWineFilm/videos/632624837289564/

Care to share all the amazing accomplishments, awards and selections?
We got selected into 14 film festivals, semi-finalist in two, and won in three (Best Director, Best First Time Director, and Award of Merit for Women Filmmakers).

Which film festivals do you suggest submitting to?
There are so many amazing film festivals – it all depends on the genre, but www.filmfreeway.com has been immensely helpful in choosing the festivals to submit to.

Why did you choose to film in PA and what do you love the most about working in Pennsylvania?
Pennsylvania has such a great variety of beautiful locations! Our film shows both present time and the 1960’s, and we were able to find locations that preserved the vintage vibe and were happy to join our artistic collaboration. You can find locations for any theme here, and business owners are very welcoming to filmmakers! Also, while we brought several fantastic actors from NY, all the other amazing actors and the wonderful crew was local, and we were blessed with an excellent team!

What are some of your favorite shooting locations in Pennsylvania?
In our film, you can see Bella Tori at the Mansion – a gorgeous vintage Italian restaurant - and Langhorne Coffee House – an adorable vintage coffee house, which we were so blessed to collaborate with! Also, Ann Kids Center, KleinLife Adult Care Center, and KleinLife Theater were such great venues. Other than that, Pennsylvania has great suburban locations, amazing city sites, historical building, parks, forests, farmlands – if I start listing all my favorite locations, I can write a book!

How did you all get started in the film industry?
I started by submitting as background talent with directors that I admire the most and I would watch them in action and learn directing. If you sign up as PA, you never know which department you might end up with and you are constantly running around. But when you are background, especially featured, you are right there where magic is and you learn from the best!

I even helped fix the script on White Collar and adjust a scene on Boardwalk Empire. It is like film school that you get paid for. Then I started working different jobs on set in order to understand filmmaking from every different perspective. Andre Saballette started his career right after college by working for Walt Disney Company. He learned a lot about the business and decided to take his passion and newfound knowledge and venture off on his own, so in 2013 he launched BoatHouse Pictures and began to work in the tri-state area. Every one of our amazing team members has a great story and getting to know them all was a real treat!

What do you love the most about your job?
Filmmaking is not just a job, not just a hobby. It's a way of life, a state of mind, a puzzle piece of your soul - without it you feel incomplete. If you fall in love with filmmaking, it's for life. You see movie ideas everywhere, live through screenplays in your sleep. Money does not matter. What matters is that you have a vision that no one sees besides you and your team, until one day you pour your heart and soul out onto that big screen and the world goes "Wow!"

Putting together a film is incredibly difficult, time-consuming and stressful, but every time I dive into it again and again, because that feeling of euphoria when your idea becomes a reality, changes hearts and minds, causes a whirlpool of emotions... when your message is seen and felt by the world... that's when I believe I can fly!

What is your most memorable, most awkward, or funniest on set story?
I actually got quite a number of funny ones From getting a hundred people to dance Macarena to warm up during a cold outdoor shoot to making a farting noise with a ketchup bottle during Jennifer Lawrence’s Oscar-winning speech. That would be another book!

Do you have any upcoming Pennsylvania-based projects?
I am writing a comedy series that I am basing in Philadelphia, Pennsylvania, but plan to shoot in different areas of PA.

PAFIA has been working hard on increasing the film tax credit in Pennsylvania and bringing more film work to our local crew and talent, but we must all unite to really make a difference. What can you tell our elected officials about the importance of PA film industry and the difference it has made in your life?
I used to travel to NY several times a week, but when I got married and had a baby, it is no longer an option for me. I want to work where I live, and so does everyone in our film community. Increasing the PA film tax credit will not only benefit actors and filmmakers. It will also benefit hotels, restaurants, car rentals, and so many other local businesses. So many directors and producers would love to bring films to PA and spend money here, but they can’t because of the tax credit. This would really be a deal breaker!

What is your advice for the aspiring actors and filmmakers? Some steps to take? Some mistakes to avoid?
Set is the best school. Try to get jobs in different departments to learn the industry in and out. Go to networking events. You never know whom you can meet and who can change your life! This business is all about connections, dedication, and hard work. And don’t procrastinate, because if you don’t bring your idea to life, someone else will.

What are some of the most valuable lessons that you have learned about this industry and wish you knew earlier?
Don’t keep ideas in your head. If you have a script, write it, so that when an opportunity presents itself you are ready. No one cares about ideas, people need a product that is ready to go. Also, be open to constructive criticism. Collaboration of opinions can turn something from mediocre to genius, so be open to change.

What is your biggest aspiration in this industry?
I aspire to be a showrunner for comedy series and musical films.

What would be the best way for our local PA cast and crew to submit to your upcoming projects?
You can always contact me on Facebook or through my website www.MariaShamkalian.com.

 Article By: Maria Shamkalian
PAFIA Vice-Chair

What is your most recent success and how did you accomplish it?
My debut feature documentary “At The Drive-in,” which chronicled The Mahoning Drive-in Theater in Pennsylvania, won Best Local Feature at the 2017 Philadelphia Film Festival and screened all over the country at film festivals and Alamo Drafthouse Theaters. It’s now available on DVD, Amazon Prime, iTunes, Vudu, and many other streaming platforms. I shot, edited, and directed the film myself as a passion project and it took over a year and a half. I wanted to see if I could employ my style and process for shorts on a feature. The film was released by MVD Entertainment, a company located in Pottstown, PA.

How did you get started in the film industry?
After graduating from film school I tried to get a job with a production company but it wasn’t going well. I took a few jobs working as a Production Assistant on feature films but didn’t really like that. It wasn’t until I started making short documentaries as a full-time employee of Franklin & Marshall College where I discovered my love for that genre.

Why do you choose to work in PA and what do you love the most about working in Pennsylvania?
Both of my feature length documentaries are about small stories in Pennsylvania. I’ve done that because I want to tell a story that can only be told here. With my drive-in documentary I didn’t want to make another documentary about drive-in culture because it’s been done before. I decided to focus on one specific drive-in theater’s story because no one heard that story before. I keep the stories small and specific while introducing more general and universal themes in the background. I was nervous only people in Pennsylvania would enjoy my films but “At The Drive-in” screened everywhere from Los Angeles to Savannah to Omaha to Texas and beyond and the reception was always unbelievable. I think people across the country enjoyed seeing something from a different point of view and people in Pennsylvania enjoyed seeing their own region on the big screen.

What are some of your favorite shooting locations in Pennsylvania?Anywhere old fashioned. My two features were shot in Lehighton, PA and Lancaster, PA. I love the Elysburg area around Knoebels. Anything that doesn’t look modern interests me.

What do you love the most about your job?
Meeting unique people. My work (from feature documentaries to my paid video production work) is all about discovering interesting people and presenting them authentically to the world, quirks and all.

What is your most memorable, most awkward, or funniest on set story?
It was probably my first ever short documentary shoot for Franklin & Marshall College. I was covering a physical therapist who was an alum of the college and one of her patients was an 18 year old kid who was paralyzed from the waist down. I was filming their session and he pulled himself up on to a bed and she congratulated him for making history. I was confused until they explained it was the first time he was able to do that… and I captured it. He was extremely happy and proud. The moment inspired and surprised me. That was when I realized I wanted to make documentaries.

Do you have any upcoming Pennsylvania-based projects?
I’m finishing up my second feature length documentary and it’s about the super charismatic Robert Brock and his magical marionette theatre in Lancaster, PA. He lives above the theatre with his mom, Mary Lou, and together they have kept this quirky marionette theatre going for thirty years.

PAFIA has been working hard on increasing the film tax credit in Pennsylvania and bringing more film work to our local crew and talent, but we must all unite to really make a difference. What can you tell our elected officials about the importance of PA film industry and the difference it has made in your life?
The PA film industry is important for a variety of reasons. It obviously creates jobs. It can generate tourism. People come from all over to see the Rocky steps and we can create more. The number one comment I see online from people who just watched At The Drive-in is “I have to travel to Pennsylvania now to visit this drive-in.” I see that constantly. That’s the power of film.

What is your advice for the aspiring actors and filmmakers? Some steps to take? Some mistakes to avoid?
Don’t be afraid to tell smaller specific stories. It’s really the only originality left. Your stories can be small and niche but your themes should be big and universal. And don’t listen to anyone in online message boards.

What are some good strategies to find more gigs?
Create the gigs yourself. It’s 2020. Keep creating gigs and the people and opportunities will find you. If you’re something like a costume designer and don’t create “gigs” then just keep designing costumes and posting photos online. Sometimes you will have to do plenty of work that no one sees before you get a big opportunity. Just go research Leonardo Da Vinci’s career timeline.

What are some of the most valuable lessons that you have learned about this industry and wish you knew earlier?
Gear doesn’t matter as much as you think. I worked on feature films as a Production Assistant that had big time rigs, RED cameras, and massive lighting packages. The final products would lack the heart, creativity, and story that is essential for movies.

What is your favorite film shot in Pennsylvania?
Unbreakable (directed by M. Night Shyamalan)

What is your favorite project that you worked on?
At The Drive-in

What is your biggest aspiration in this industry?
I just want to be able to continue making my films and sustain a living doing it.

What would be the best way for our local PA cast and crew to submit to your upcoming projects?
I always welcome people to reach out. I’m always looking for a good producer as well. And who isn’t looking for an investor? My e-mail is AL@monellifilms.com or just hit me up on social media (@monellifilms). Please follow my films (both shot in PA) online as well:

1.  At The Drive-in: www.atthedriveinfilm.com, facebook.com/Atthedrivein, Instagram.com/atthedriveinfilm
   
   
2. Marionette Land: www.marionetteland.com, facebook.com/marionettelandfilm, Instagram.com/marionettefilm

How did you come up with the idea and how did you get it going?
I was living in New York City and feeling a bit homesick for Pittsburgh.  I called my friend Craig Cunningham (a Pittsburgh native), who was living in Los Angeles at the time, and started telling him about an idea I had.  He kept picking up the phone and was a massive sounding board for me.  I finished the script and sent it to Steve Parys, who agreed to direct the episode, and we were off and running.

What were some challenges that you have encountered?
I made Mulligan with the hopes a network would see it and want to come on board to fund/help produce the remaining episodes/seasons.  It was a bit of a Field of Dreams but they never did come.  That being said, I’m damn proud of what we created with very, very little money.

The burning question: how did you arrange the budget?
We roughly raised half of it through crowdfunding (IndieGogo) and half through individual donors.

What are the plans for distribution?
Mulligan is available to watch on Amazon Prime and Facebook.

Care to share all the amazing accomplishments, awards and selections?
Mulligan was an Official Selection in Film Independent’s LA Film Festival and Rhode Island International Film Festival, both of which are Academy Award Qualifying Festivals.  We won “Best TV Pilot” at the RIIFF.  This April we are thrilled to be receiving the Indie Award at the Elly’s, run by Steeltown Entertainment Project.

Which film festivals do you suggest submitting to?
Pittsburgh Shorts is one of the best Festivals I have attended across the country and they are right here in our backyard.

Why did you choose to film in PA and what do you love the most about working in Pennsylvania?
In short, it’s home.

What are some of your favorite shooting locations in Pennsylvania?
Scally’s Golf Center in Moon and Barto’s in Coraopolis come to mind.  I’ve been fortunate enough to live and NYC and Chicago, but Pittsburgh is as cinematic and photogenic as it gets as far as I’m concerned. 

How did you get started in the film industry?
I’ve been making short films and videos with my friends since high school, but have usually focused on theater.  In the last couple of years my focus has shifted into screenwriting and filmmaking. 

What do you love the most about your job?
The people.

What is your most memorable, most awkward, or funniest on set story?
I remember driving away from set on our last night of filming Mulligan and not being able to bring myself to pull into my driveway.  I drove in circles around my neighborhood, not wanting it to be over- and realizing that this was what I wanted to be doing…making art with people I loved.

Do you have any upcoming Pennsylvania-based projects?
I am in pre-production of a feature length film I plan on producing and directing here in Pittsburgh.  And yes, we are looking for funding, producers, and crew!

PAFIA has been working hard on increasing the film tax credit in Pennsylvania and bringing more film work to our local crew and talent, but we must all unite to really make a difference. What can you tell our elected officials about the importance of PA film industry and the difference it has made in your life?
So many of my loved ones rely on film and television in Pittsburgh to pay their bills and feed their kids.   Allow artists to change the world with their art by creating opportunities to pay them a living wage.

What is your advice for the aspiring actors and filmmakers? Some steps to take? Some mistakes to avoid?
Hollywood is a myth.  Tell your story, make your art, and  don’t wait for permission.

What are some of the most valuable lessons that you have learned about this industry and wish you knew earlier?
…Hollywood is a myth.  Tell your story, make your art, and  don’t wait for permission.

What is your biggest aspiration in this industry?
I want to make films in Pittsburgh that we can share with people all over the world.

Article By: Maria Shamkalian
PAFIA Vice-Chair

What is your most recent success and how did you accomplish it?
My most recent success was portraying a lead role character in a short film thriller, that has been garnering some great accolades. It was the sort of role that I had been hoping to find my way to for a bit, to prove my versatility, to an audience AND to myself!  Screening currently at various Film Festivals, it has already won an award or two, and seems to be opening some new doors for me. Having done quite a bit of comedic and lighter fare material (my natural default), I wished to stretch a bit, but had to be willing to take a risk.

How did you get started in the film industry?
I had never thought seriously about acting, but it had frequently went through my mind, and I was very drawn to the notion of "performing". A few years ago, a proposed project in Rhode Island, came across my radar. Basically a hybrid ensemble show, reality based, but combining scripted elements, improvised comedy, hidden camera aspects, a large pinch of social satire, with some trivia thrown in for good measure. The creator, an old friend of mine, brought me on board basically an adviser of sorts, or sounding board. I thought to myself "why hasn't he asked ME to be a part of this crazy crew, he's putting together?" Rather quickly my friend said to me  "why haven't I asked YOU to be a part of this crazy crew, I'm putting together, you're the craziest guy I know?" That was the start of it all! 

That project wound up attracting some industry interest, including being with a hit show running Hollywood producer for a while, but never went into production. Shortly after that opportunity, I randomly saw a pitch on Craigslist, for ANOTHER unrelated show, based here in Philly.

I submitted, and was apparently their strongest contender as a cast member. AS we shot sizzle reels on each show, I received great feedback. Industry people and regular folks alike, said I had a natural onscreen presence. That show also had some teases, but too never made it to air. The "Reality" TV Star thing didn't work out, but something had been awakened in me, though I had no idea what to do about it. Shortly after I appeared on a locally produced podcast, and the folks who put that together, randomly offered me a starring roll in their upcoming 45 minute independent short feature film. After that one, I never looked back, searching Craigslist, and eventually Facebook pages, networking, etc. 

Why do you choose to work in PA and what do you love the most about working in Pennsylvania?
The thing about "choosing' P.A., is that it chose me! Growing up in the Philly area and never moving out of the region, it wasn't like I was really running off to NYC or L.A., especially in my late 40's as an untrained novice actor, it just wasn't even an option. However. the thing there is now a TON of film work in Philly and radiating out a couple hours. IN fact I read, just today, that Philly is one of the top film cities in the U.S, I love not having to fight and claw with tens of thousands of other folks for a limited amount of roles in those movie towns, yet being able to stay busy.

What are some of your favorite shooting locations in Pennsylvania?
I've shot all throughout the region, including the Jersey side of the bridge, but I enjoy filming in regular local spots, and letting ordinary folks feel invested in this thing that so many folks are just in awe of. If their house, business, or street makes it onto a screen, its fun to see their reaction.

What do you love the most about your job?
Personally I dig the most, when there is great collaboration and a fantastic result. To me it's all work in service to the final product. There is a host of experiences and feelings along the way, mostly good stuff, but I see screen acting as not paid off if you will, until it hits a screen! 

What is your most memorable, most awkward, or funniest on set story?
Shooting on my first full length feature, a good quirky actor, who nailed his lines, could NOT for the life of him, get this ONE line. He had a particular way of delivering his lines to boot. We had such fun teasing him on the day, all of us imitating that line as delivered in our versions of HIS voice, we were crying. He actually thought we were being cruel at first, and we had to explain that we loved him, his quirky delivery, AND that line, we were laughing WITH him, not at him, as we've all flubbed lines, and it would live on forever as a funny moment, and it surely has!

Do you have any upcoming Pennsylvania-based projects?
I have a BUNCH of stuff coming up, I try to stay very busy. I'm gonna be a Mob associate in the final episode of a Web based Film Noir series. I'm playing a misguided football coach pretending he's (dead) a ghost, in a misguided attempt, which fails, to inspire his players! I'm appearing as a horror character in a popular Rapper's newest video. I've got a small part in feature that's been filming up and down the Turnpike. And more!

PAFIA has been working hard on increasing the film tax credit in Pennsylvania and bringing more film work to our local crew and talent, but we must all unite to really make a difference. What can you tell our elected officials about the importance of PA film industry and the difference it has made in your life?
Being able to work in such a creative filed, where we are fortunate to bring joy to so many others, but where most working actors barely make a living, it's wonderful that there are incentives that can help create more opportunities. This is what I get up for in the morning, and I hope that our officials will recognize the good that the arts do, in addition to the financial impact film making brings to the state.

What is your advice for the aspiring actors and filmmakers? Some steps to take? Some mistakes to avoid?
Work HARD, SHOW UP, listen to folks who have more experience and learn, NETWORK everybody knows everybody! BELIEVE in yourself, but don't be a flaming egomaniac! Take risks, be open, collaborate, play nice!

What are some good strategies to find more gigs?
You have to work it HARD! Phone, email, text, smoke signals, whatever. Check in with folks, attend functions, SUPPORT YOUR FELLOWS, don't worry about a lot of paid sites, and b.s. that some folks babble, if you have some talent, work hard, and work hard at SEEKING the roles, you will find them, they ARE out there.

What are some of the most valuable lessons that you have learned about this industry and wish you knew earlier?
If you show up and do the work, put your heart into it and take some risks, treat others on set nicely, you will get ahead! I wish I had started a bit earlier and believed that it was a realistic path, particularly that I COULD and WOULD be able to stay working in P.A.!

What is your favorite film shot in Pennsylvania?
Hard not to love the early M. Knight films. I love Silver Linings, as it was filmed all around where I'm from and is such a sweet little quirky film. I have to admit I have such a soft spot for Clean and Sober, as among other things, I bluffed my way onto the set in the 80's, and it was so magical.  

What is your favorite project that you worked on?
I don't have just one, and two of my faves were filmed in Jersey, so they don't count! I did a 48 hour that allowed me to do slapstick, a long time love of mine, but something I might otherwise have never gotten to do. I also love the the P.A. based show, where I basically played me, easy one! My only background work was on the upcoming AMC show Dispatches from Elsewhere, it was so great to watch Oscar caliber performers' crafts.  

What is your biggest aspiration in this industry?
I want to keep doing good work, get better at my craft, book some better paying gigs (as we all need to eat), and a little recognition (notoriety).

What would be the best way for our local PA cast and crew to submit to your upcoming projects?
Since I'm the guy in front of the cams, and can't offer much in the way for them to "submit" for my projects, but I'm glad to have them check out my past work and review any opportunities they may have for ME! I'm on Facebook at fb.com/PhillyBigMike and email PhillyActorBigMike@gmail.com.

Article by: Amelia Addor
PAFIA Writer

Ryan Shank is an award-winning independent producer of film & branded content who has collaborated with both international and domestic musicians, artists, CEOs, CMOs, and corporate communicators to develop and create innovative and visually stunning narratives to drive sales and brand awareness. 

His collaborations have included serving as a Project Manager for the 2016 U.S. Women’s Open (Golf) to producing content for companies such as AT&T, Reebok, American Express, Warner Brothers, and Ford among many others. 

It is these experiences, networks, and creative thinking that bring Ryan into leadership of the Red Rose International Film Festival. He is a Lancaster native and a graduate of Saint Joseph’s University. He lives in Lancaster with his wife Abby, and his son Jackson.

In 2019, Ryan Shank founded and debuted the Red Rose Film Festival. The Red Rose Film Festival is dedicated to the growth and enrichment of the Central Pennsylvania film community. 

Through the promotion of independent film, new technologies, and continued economic development, RR|FF intends to expand tourism, industry education, job creation, and better incentives for Pennsylvania film production. RR|FF seeks to expand a thriving arts community in Lancaster, home to world-renowned artists, musicians, and entertainers. This festival recognizes the many voices of filmmakers and innovators across the planet and celebrates their perspectives, cultures, and visions.

Submissions are now open for the 2020 “RR|FF: The Sequel” - click here! Further information is available on Instagram, Facebook, and Twitter.

What is the “Red Rose Film Festival”?
The Red Rose Film Festival is dedicated to the growth & enrichment of the Central Pennsylvania film community. Through the promotion of independent film, new technologies and continued economic development, the RR|FF intends to expand tourism, industry education, job creation, and better incentives for Pennsylvania film production. This festival recognizes the many voices of filmmakers & innovators across the world to celebrate their perspectives, cultures and visions.

When was this idea first conceived?
The foundations of this festival came from the culmination of years working with others who did the same for their communities, especially to Susan Gorrell, of the Julien Dubuque International Film Festival. She is an incredible leader for her fest in Iowa and she gave this festival a phenomenal example of how film can impact a community!

Who was the festival created by?
It’s a funny thing “giving credit”. Year 1: It was a community effort. Sponsors, donors, local filmmakers, national & international filmmakers, our community, our executive team­. Frankly, the RR|FF was created from a huge collective of people buying into a vision of how film can impact Central PA.

What was the audience you expected versus the audience that arrived
We had 1000+ attendees over the first weekend. I’m just glad people showed up!

Would you consider RR|FF to be important to the PA film industry? Why?
You’re looking at state incentives, right? While the majority of our credits are headed to Pittsburgh and Philadelphia you have an incredible landscape within that six-hour drive time. The goal of RR|FF is to impact economic development, arts, tourism & education in our wonderful state. It’s impossible to create real change if we don’t engage Pennsylvania in its entirety!

What was the most surprising moment of the latest Red Rose Film Festival?
Survival? Hah no. The surprise came from filmmakers. So many of them came up to our team and asked, “This is your first year?”. We planned to be actively engaged in our community throughout the year, so the greatest surprises were in how seamless year one played out.

Who participated in the most recent one? Who do you hope will participate this coming/next year?
Lancaster showed up! PAFIA came in rolling deep for the whole weekend. We had 40 of the 76 films represented over the weekend by directors, actors, crew, and producers. Speaker panels included film professors, innovation and tech professionals, filmmakers, and industry insiders from around the country. Our hope in 2020 is to replicate that type of participation and maybe throw in some additional surprises!

How would you describe your vision of the next Red Roses to come?
In a word? “Long-term.” We will be an Awards Qualifying hub for filmmakers and innovators. A platform for Global Perspectives to make a Local Impact.

Would the future festivals differ from the latest one? How?
2020 is about refining the overall experience of the RR|FF. Filmmakers, volunteers, patrons etc. we want to make the experience flow for everyone. In future years we will expand, but Year 2 is about immediate growth in the community.

Article By: Maria Shamkalian
PAFIA Vice-Chair

What is your most recent success and how did you accomplish it?
My most recent success is Rigor Mortis, a film in which every cast and crew member was treated like family. I accomplished this by paying attention to how a lot of independent projects have been rumored to mistreat their cast and crew. So I wanted to make sure that any project of mine was not this way.

How did you get started in the film industry?
Actually by accident. I was down on my luck with a failed business and a messy divorce and child custody hearings lined up back to back. I saw an ad in the local newspaper about a Hollywood production looking for background actors.

Why do you choose to work in PA and what do you love the most about working in Pennsylvania?
The freedom of writing what you want, directing how you want, and producing a film how you want without the strict guidelines of APAA and Hollywood Foreign Press.

What are some of your favorite shooting locations in Pennsylvania?
Hands down, three of my favorite shooting locations have been the Lawrence County Community Action Partnership, the John F. Singer Mansion, and the Monongahela Valley General Hospital, all of which are listed on the Pittsburgh Film Office’s website, for locations.

What do you love the most about your job?
I love the challenge of how to create something innovative in an inspirational story that has never been done before; something that I know will inspire audiences to be, do, and have the best of what life has to offer.

What is your most memorable, most awkward, or funniest on set story?
The most awkward on set story is when there was an actual corpse in a funeral home that we shot a scene in - the funeral director assured me that there would be no “customers” in the funeral home, but there was one and we all had to work around it to the best of our ability.

Do you have any upcoming Pennsylvania-based projects?
Of course. The Whites, Lethal Guardian, and Twin Flames, all of which have a special meaning behind them, and where they are all parallel universe anthology films.

PAFIA has been working hard on increasing the film tax credit in Pennsylvania and bringing more film work to our local crew and talent, but we must all unite to really make a difference. What can you tell our elected officials about the importance of PA film industry and the difference it has made in your life?
PA’s elected officials have to know that Pennsylvania has a lot of freedom to write, direct, and produce the kinds of projects that audiences will be entertained to watch. Everything in Hollywood are remakes and live adaptations that are becoming redundant and predictable. Pennsylvania filmmaking is a treasure trove of ideas that can be (and should be) the new market of entertainment in films that capture the imagination of audiences, if given the opportunity.

What is your advice for the aspiring actors and filmmakers? Some steps to take? Some mistakes to avoid?
Study unconventional skills that have nothing to do with acting or filmmaking, but can skyrocket your career. For instance, study sales and marketing; you have to be able to know how to sell yourself, sale your brand (as an actor or project), and overcome objections that if one knew how to look for what is actually being asked, they can avoid a lot more rejection. Marketing is just as important because one must know what and who they are as a brand (or their filmmaking product is as a brand), where to target specific influential people based on that brand, and how to increase your worth as a brand.

What are some good strategies to find more gigs?
In my experience, when you know, and practice, your unique brand, producers, directors, agents, casting directors, and managers will start to look for you. Until then, study how to make yourself stand out with sales and marketing wisdom.

What are some of the most valuable lessons that you have learned about this industry and wish you knew earlier?
This is going to sound redundant, but the value in sales and marketing is truly an asset to one and their career. It really sets a professional apart from an ametuer.

What is your favorite film shot in Pennsylvania?
Not just because it’s my own film, but because the ideas, morals, ethics, and unity of everyone on board with Rigor Mortis has a lot of special meaning to me and everyone involved with it.

What is your favorite project that you worked on?
Again, not to sound redundant, and not to make it too personal, but Rigor Mortis has by far been my favorite project. Not just because it’s personal, but personally the morals, ethics, ideas, and unity of everyone involved with Rigor Mortis has created lasting friendships and value with one another.

What is your biggest aspiration in this industry?
To create innovative films that make people think that it could be possible to address real world problems and make a difference in someone else’s life by practicing humanity, vulnerability, and humbleity in ways not thought of before.

What would be the best way for our local PA cast and crew to submit to your upcoming projects?
One could submit themselves by visiting ShelBeth Entertainment’s Facebook page to be up to date with what is happening in our own little part of the world and then submitting an inquiry by messaging us. That link can be found here.

Article By: Maria Shamkalian
PAFIA Vice-Chair

Aaralyn Anderson is local to the Philadelphia area and has worked with some of the biggest stars in Hollywood. She started acting when she was just 2 ½ years old. Her very first job was for Nickelodeon. Aaralyn is best known for her recurring costar role in the Netflix Series 'Maniac' alongside Emma Stone, Jonah Hill, Justin Theroux, Sally Field, as well as other Hollywood heavyweights. Aaralyn can also be seen on the NBC hit show New Amsterdam, ABC's Primetime show What Would You Do?, Strahan & Sara, Dead of Winter on the ID Channel, CBS's The Good Wife and more.

You can Follow Aaralyn on Instagram @AaralynAnderson

What is your most recent success and how did you accomplish it?

Most recent success...Hmmm...I like to look at everything I do as a success, big or small. If I am acting, to me, that spells success.

How did you get started in the film industry?

When I was a baby everyone would stop my mom wherever we went to 'look at the baby'. They would always tell her I should be on tv or in magazines. She made a joke online about how I was the famous Target baby. A friend of hers had a friend who was a child model and offered up a legit manager. The next Target trip my mom came home and sent an email and they picked me up right away. As I got older, we revisit every year what I accomplished, what I hope to accomplish and if I want to stay in the business. My answer to that question is always Y-E-S!

Why do you choose to work in PA and what do you love the most about working in Pennsylvania?

I LOVE working in Philly!! It's close to home. We have an amazing network of super talented film makers right here in our backyard. That's excuse enough for me.

What are some of your favorite filming locations in Pennsylvania?

Wow, there are so many amazing places. I have filmed on the streets of Philly to the farms in Bucks county to inside people's homes and studios. I think maybe the farm where I filmed the AAA commercial is probably my favorite because there was lots to do in between takes.

What do you love the most about your job?

I love a good script and a character that challenges me. I like to think how they would think or feel.

What is your most memorable, most awkward, or funniest on set story?

Welllllll, it was when I was filming a scene in MANIAC. It was Jonah Hill, Me, Emma Stone and my 'siblings". We were at the dinner table. It was the 90's. I was suppose to hate asparagus. We did a few takes. Our director, Cary Fukunaga, likes actors to go with what they feel their character would do. So in the moment my character, Danielle, felt the need to throw the asparagus. So I chucked them and as they left my hand they went straight at Emma and nailed her. I swore I would hear "CUT" immediately but I didn't.

Emma bent down, picked up the asparagus and said "I don't care that they hit the floor you are still eating them" as she placed them on my plate. Then she finished the scene in character like it was nothing. Afterward I made sure to make a quick apology but she said "hey ya went for it, I admire that".

What are some of the challenges of being a child actor?

Sometimes I have to bounce in and out of schoolwork, jumping right in to delivery of lines on set, so that can be challenging. Oh and sometimes there isn't much for me to eat from craft services because they gear the menu more toward the adults.

What is your advice for other children in film?

Don't compare yourself to anyone else in the biz. Go in the room, give it all you got then go back to just being a kid. Leave it there.

Do you have any upcoming Pennsylvania-based projects?

I do. Just waiting on all the info. Stay tuned.

PAFIA has been working hard on increasing the film tax credit in Pennsylvania and bringing more film work to our local crew and talent, but we must all unite to really make a difference. What can you tell our politicians about the importance of PA film industry and the difference it has made in your life?

As an actor it makes me very happy at the idea of more and more work coming to Philly. Atlanta has been able to have a competitive market to that of LA and NYC so why can't we? After all, film started right here IN Philadelphia so why can't we take some of these old warehouses and make them into studios? Not only would actors have more work but everyone would.

What is your advice for the aspiring child actors? Some steps to take? Some mistakes to avoid?

If you don't live in a huge market for the commercial/TV/film biz you may have to travel A LOT. The No's are just as important as the YES's. In fact there is a guarantee

you will have way more No's than Yes's and that's OK.

Steps to take: Research, Research, Research. Network, Network, Network.

Some mistakes to  avoid:  Don't fall for scams.  If anyone asks for money to rep you RUNNNNN! Legit Managers/Agents in the industry never ask for money. They get paid when you get paid. Period. End of Story.

What are some good strategies to find more gigs?

Honestly, I am a kid so my manager and agents find the bulk of the opportunities for me in the bigger markets. I can say that people do remember you and the impression you make so always keep that in mind. And parents of child talent need to remember that as well. I have been lucky to have worked with some of the same people in the Philly market on different projects. Someone who I worked with might mention me to so and so for their project or someone who was at a screening saw the work I did for one Philly film maker and reaches out to us for their project. Its really nice. I appreciate that.

What are some of the most valuable lessons that you have learned about this industry and wish you knew earlier?

I listen to everything that goes on one set. How a director talks. How the gaffer stands. How another actor preps. You name it I pay attention to it all. I hope i always do. I think listening and watching is the best way to learn.

What is your favorite film shot in Pennsylvania?

Well that is an unfair question lol I love them all:

Frank Williams' Never Go Back : Zombie film was super scary and gorey. I loved learning about the SFX .

JFR Media's (micro short) Das Litch Drinnen : I got to use my French skills and was challenged doing some of my own stunts. Which I LOVED!!

Shelia Crump's Colors On The Otherside Of The Tracks : I loved it because I got to wear dresses that were my mom's when she was my exact age.

Noble F Production's The Arrangement : I loved because I got to see Andrew Hunsicker in a new role. We had acted together on several projects in the past but this was the first time I got to see him as a writer, producer etc.

What is your favorite project that you worked on?

Again another really hard question but I would have to say MANIAC. It was my first as a principal character in a series for Netflix. The Premiere was the cherry on top!

What is your biggest aspiration in this industry?

To be working steadily. Oh, and a kid series or movie would be a bonus!

Article By: Maria Shamkalian
PAFIA Vice-Chair

How did you come up with the idea and how did you get it going?
About four years ago, I came across an article about a skip tracer who became a skip maker by using the internet to hide his clients’ digital footprint and thought it would make a great series. However, I was working on other projects and I forgot about it until 2015. Once I decided to make this my next project, it took me 2 years to break the story and another to cast the right actors.

What were some challenges that you have encountered?
The two biggest challenges for me has been scheduling and money. A lot of the episodes are made based on the availability of the actors. There was a 16-month gap between Season 1 and 2, several of the actors are either no longer in the area, no longer acting or have moved on to other projects. In regards to money, while many of the cast and crew were fine working for free, I decided not to go that route for Season 2. This was one of the main factors for the 16-month gap as I wanted to pay my actors more than gas money for Season 2. Even though the budget for Season 2 was larger than Season 1, it was still relatively low and I was upfront about the budget with every crew members that I contacted. There were a few no’s but surprisingly there were quite a few yes’s.

The burning question: how did you arrange the budget?
Mostly through a combination of savings, crowdfunding... and selling the occasional expensive Funko Pop!

What are the plans for distribution?
The first two seasons are currently available on YouTube, however the third season will only be available on Amazon Prime.

Care to share all the amazing accomplishments, awards and selections?
Since its inception in 2016, Herrings has been selected by nearly two dozen film and web festival, including Seoul Web Fest in 2019. The show has also received numerous nominations and over a dozen awards, including: Best Cast, Best Actor for both Dax Richardson and David Ogrodowski, Best Drama (2017 Baltimore New Media Web Fest), Best Supporting Actress for Mia Park (2017 Baltimore New Media Web Fest), Best Director (NJ Web Fest 2019) as well as Best Thriller (2019 Miami Web Fest).

Which film festivals do you suggest submitting to?
While I wasn’t able to attend every festival Herrings was selected , the festivals I attended and found the most engaging and informative are New Jersey Web Fest, Miami Web Fest, Baltimore Web Fest, Minnesota Web Fest and Pop Up Anthology.

Why did you choose to film in PA and what do you love the most about working in Pennsylvania?
A lot of the storylines in Herrings were based on real-life incidents that took place in Philadelphia, so it only made sense to film there. The thing I love about working in Pennsylvania is that how much filmmaking is embraced here. Not just in Philadelphia, but also Easton, Allentown, Pottstown, Altoona and Pittsburgh.

What are some of your favorite shooting locations in Pennsylvania
While the show is set in Philadelphia, I would have to say Easton has become my favorite filming location as the people are very friendly, reasonable and engaged in the filmmaking process. In addition, areas of Easton feature close enough approximations of locations and establishments in Philadelphia.

How did you all get started in the film industry?
Well in a nutshell, I got my start in 2010 when I created a screenwriting group called the Dysfunctional Screenwriters Society, where once a month we had live table reads of screenplays written by local writers, read by local actors. I ran the group for five successful years but after working with a couple of filmmakers on their projects, I decided to take the plunge and direct my first short film, “Relationship Status” in 2012. That’s when I officially “caught the bug” and subsequently wrote and directed three more short films for the 21-Day Film Competition in 2012, 2013 and 2014.

What do you love the most about your job?
Working with the actors, getting the best out of their performance and seeing the words on the page come to life.

What is your most memorable, most awkward, or funniest on set story?
Oh that’s an easy one. Okay, so during filming of season one there was a scene set in a park and I happened to find the perfect spot, which is a walking trail and right across the street from several rowhomes. Now since the walking trail didn’t have an address, I used the address of the rowhouse directly across the street from the trail and I made it abundantly clear that the address was not where we were filming. Well, unfortunately, Dante, one of the Production Assistants didn’t read that part and when he showed up, he not only went to the rowhouse, but upon seeing that the front door was opened, went inside the house! Suffice to say, the owner was a more than a little freaked out and a few minutes later, we were paid a visit from a very confused but very understanding police officer.

Do you have any upcoming Pennsylvania-based projects?
Besides filming season three of Herrings, I’m co-starring in a horror comedy called “Batsh!t” that was filmed last year in Pittsburgh and is currently slated for release October 2020.

PAFIA has been working hard on increasing the film tax credit in Pennsylvania and bringing more film work to our local crew and talent, but we must all unite to really make a difference. What can you tell our elected officials about the importance of PA film industry and the difference it has made in your life?
If it wasn’t for the acting community in Philadelphia taking a chance on me ten year ago, there would be no Dysfunctional Screenwriters Society and there would definitely be no Herrings. There are so many talented filmmakers, production staff and actors throughout PA and it’s ridiculous to force them to relocate to other states when that money could easily be spent here.

Article By: Maria Shamkalian
PAFIA Vice-Chair

What is your most recent success and how did you accomplish it?
The last feature I worked on had to be turned around in 2.5 weeks, which is an extremely tight deadline for a 90 minute narrative feature when you’re handling all aspects of the audio post. There were editorial issues and my assistant and I received the project 3 weeks late without synced production sound and missing several shots and almost all the VFX. While it’s not unusual to receive a post-audio project in less than perfect circumstances, it is pretty insane to turn around a 90 minute film in 2.5 weeks. I had my assistant work on the basic dialog editing for each reel while I developed the sound design, communicated with the composer about where cues were going to be, recorded and synced Foley, and later mixed the dialog as well as completed a final 5.1 mix. We met our deadline in time for the premiere and the studio exec and investors were very pleased. There’s still more work to be done to prep the film for the international market but that first phase was intense.

How did you get started in the film industry?
Like a lot of sound people in the film industry I gradually transitioned over from the music industry as illegal downloads and streaming became the norm and ate away recording budgets. I’ve been working in audio since 1995 but in TV and film since 2005. It started with helping out friends with their shorts. Eventually word spread and requests to work on TV and film projects outnumbered music projects. It took a while to develop a solid client base because many people around Philly thought of me as just a “music guy”. That gradually changed the longer I worked exclusively in film and became friends with some very talented Philly-based production sound mixers.

Why do you choose to work in PA and what do you love the most about working in Pennsylvania?
Pennsylvania has a little of everything. I can live in a diverse urban environment but be in the Amish countryside or the Pocono mountains in a little over an hour. The ability to quickly transition between these environments make the state conducive to a wide array of projects, which helps to keep work interesting.

What are some of your favorite shooting locations in Pennsylvania?
I work with a lot of LA and NY based production companies. I’m usually the only local on set so I become the defacto ambassador for Pennsylvania, which I love. My favorite places to film are in Central-PA, specifically Centre County and the rolling hills of the farms as well as in the state forests north of there. I did a feature called “The Lost Within” (directed by Steve Gibson) many years ago around the Lewisburg area and it’s beautiful. It was shot on farmlands, an old motel near Lock Haven, in a newspaper office in Sunbury, and a trestle bridge outside Williamsport. It’s a great film that also showcases the wide variety of scenery in PA.

What do you love the most about your job?
I especially like the variety of projects that I get to work on and the variety of people I get to meet on those projects. Within any given week I could be working on a documentary about water conservation in rural PA, an interview with an Eagles player, a true crime docu-series, and doing sound design on someone’s feature. All these jobs bring different personalities, work methodology, and unique personal backgrounds. I graduated from PSU with a B.A. in Anthropology and I’ve always been fascinated with other people and their stories.

What is your most memorable, most awkward, or funniest on set story?
As a production sound mixer you often hear things you can’t unhear. If you’re not careful and diligent while working you can hear some pretty awkward things. I’m a vault both professionally and personally. When you mic someone up you have both a moral and professional obligation to be discreet with anything you accidentally hear off camera. I turn faders down anytime someone isn’t on screen but occasionally you catch something very awkward. I usually ignore it and keep it to myself but every once in a while I’ll hear something that I think may embarrass the person saying it and I’ll discreetly remind them that they are wearing a hot mic. Everyone appreciates when you respect their privacy and look out for them.

Do you have any upcoming Pennsylvania-based projects?
I think the next PA-based project is sound design and general audio post for some corporate videos for the Hershey Entertainment & Resorts Company. I’m also in talks with a director about doing post on a horror feature that takes place in and around the abandoned town of Centralia, PA and in a large cave around that town. I’m excited about that one.

PAFIA has been working hard on increasing the film tax credit in Pennsylvania and bringing more film work to our local crew and talent, but we must all unite to really make a difference. What can you tell our elected officials about the importance of PA film industry and the difference it has made in your life?
I just wrapped on a PA-based feature that benefited from the tax credit, which was filmed in Reading. The credit not only provided the opportunity for a month of uninterrupted work but it literally put money in the hands of my local community. Productions spend a lot of money in the locations they shoot in, way beyond just the wages of local crew members. Everything from dry cleaning, catering, hotels, Uber drivers, permits, location renting, private security, etc., it all gets hired locally. Providing a larger tax credit will attract more productions to Pennsylvania, which will literally put money back into the hands of local residents. The tax credit pays for itself many times over.

What is your advice for the aspiring actors and filmmakers? Some steps to take? Some mistakes to avoid?
There’s no magic secret to success in this industry. It’s all about just working hard and treating other people well. I could be the best sound mixer around but if people don’t enjoy spending a long day with me then I wouldn’t get hired. The best advice I could give is to take pride in your work and always be mindful of what other people are going through. The people you are working with can become some of your closest friends.

What are some good strategies to find more gigs?
Finding future work is just as much a part of your job as working a gig. Figure out how many hours you want to work per week and treat each of those work days seriously. It’s also a good idea to find the professionals who have worked on projects you love and start making connections with them and their circles. Overtime, your name will start to get passed around and more jobs will come.

What are some of the most valuable lessons that you have learned about this industry and wish you knew earlier?
The best advice that I could give is to be humble and remember that it’s not a race, it’s a marathon. Figure out what “success” specifically means to you and devise a plan to gradually get there by working hard everyday.

What is your favorite film shot in Pennsylvania?
Trading Places. Though not entirely shot in Philly it’s one of Murphy’s best comedies and I love the scenes in Rittenhouse Park.

What is your favorite project that you worked on?
Hmmm, I’m not sure about my favorite project of all time but a recent one that I absolutely loved working on was a documentary for the Canadian Broadcasting Company called “Rare Bird Alert”, which was about Birding and Birders. Interestingly, we spent a lot of time interviewing people about the relationship between bird watching and punk rock. I had no idea there was a connection but I found it fascinating. Birders in general are fascinating people.

What is your biggest aspiration in this industry?
I love what I do and feel very fortunate to be able to make a living doing it. As a freelancer, I don’t always get the chance to pick what I work on. My goal each year is to continue carving out a path where more and more of my work are documentary projects on the lives of musicians, social change, and nature. Even when the job isn’t my cup of tea I still enjoy the work and the people I get to work with. Being able to support myself and my wife by doing what I love is a great feeling.

What would be the best way for our local PA cast and crew to submit to your upcoming projects?
Anybody needing professional production and post-production audio services should check out my website to learn more about me and my work. If you think I’m a good fit for your project then I’m just a phone call (or email) away. I can be reached at www.nadasoundstudio.com.

Article By: Maria Shamkalian
PAFIA Vice-Chair

What is your most recent success and how did you accomplish it?
Being an older actress the opportunities for leading roles are more limited however at the end of 2019 I was offered the lead in the short (80s style) slasher film called Pizzaman made in South Philadelphia by a local team of female filmmakers (Rosalie Kicks, Katie McBrown)

Rosalie is also the creative force behind a movie review magazine called Moviejawn...See Moviejawn.com.   I was offered the role based on my audition tape.

How did you get started in the film industry?
When I decided to dip my toe back in the acting waters I attended a New York weekly workshop lead by acting, directing veteran Bruce Orenstein (Saturday night fever, the Great Wallendas, Vamperifica). He encouraged me to get headshots and start auditioning for student films and then branch out to independent films. It was very exciting as I had only done theatrical productions before that.  I found a new creative outlet and loved it.

Why do you choose to work in PA and what do you love the most about working in Pennsylvania?
 I am a native Philadelphian and love when I get work in Pennsylvania —- then all my energy goes towards the production and not traveling. Also I find there’s a great network of filmmakers , actors and crew in the area and a wonderful camaraderie on the projects I’ve been lucky enough to book here.

What are some of your favorite shooting locations in Pennsylvania?
I did a commercial at a resort in the Poconos. It was beautiful. I’ve also narrated a reenactment TV show in Lancaster and found that to be a great filming area.  I was so surprised when I was able to procure a courtroom location at the law offices of former colleagues and it turned out the space had also been used once before for the movie Trading Places.  Philadelphia has some wonderful historic buildings and Fairmount Park is said to be the Champs Élysées of the US .  Who can deny that the Art Museum steps make a wonderful backdrop.

But my favorite Location was my own South Philadelphia row house which was used in Todd Inman’s web series “Delayed Gratification.”

What do you love the most about your job?
I love the thrill of not knowing what comes next.  As a lawyer I had a very structured and predictable trajectory.  As an actress I’m always surprised at what creative project is being developed and the variety of characters I am able to become .  I also love the fact that with film and TV the project is there for posterity. I look forward to sharing the film Ghost Goggles with my granddaughter (only 18 mos) when she is a little older. 

What is your most memorable, most awkward, or funniest on set story?
Just this past November when we were filming Pizzaman the date picked for the outdoor scene had to be the coldest and windiest of 2019.  I had focused on the good luck of there not being rain fog or snow… However with the wind chill it was only 29° and it was supposed to be a spring day -all I could wear was a sweater (between takes I bundled up inside the car).  The funny thing was that when we supposedly left the shop where we bought all kinds of knitting material, I put the shopping bag down in order to open the trunk and an unexpected wind knocked everything out of the bag and dozens of balls of yarn went sailing across the enormous strip mall parking lot.  To watch the crew running helter skelter after all these balls of yarn and not being able to catch them was quite a sight.

What are some of the challenges of being a female filmmaker?
While not a female filmmaker myself,  I have sought out films written directed and produced by women because the stories are often  the ones that resonate the most with me . Recently what comes to mind is the film Hedda Needs Help and a web series called Ghetto Nerd Girl both being distinguished by great poignancy humor and festival awards.  What I find with female filmmakers is they seem to go the extra mile to be taken seriously. The numbers show that the industry still is predominately male and I believe it’s harder for women to establish the same networks and conquer the financing aspects of successful filmmaking.  What is so important is that women mentor other women and be there as a resource so that one day it’s only a question of meritocracy.

What is your advice for other women in film?
You should go with your instincts if something doesn’t sound legit it most likely isn’t and you should ask around if you are unsure. No project is worth compromising your values and there are plenty of honorable creatives in the field.  You need not subject yourself to any kind of abuse.

Do you have any upcoming Pennsylvania-based projects?
The following PA projects should be coming out in the spring:  the pilot for a series called Reel Life directed by John Rifici of Omega Media Productions, the feature film What Do I Do Now directed by Joshua Coates ,  Mr.  Blue Shirt directed by Mike Stewart, Arisen2 directed by Richard Chadwick and Pizza man referred to above.  I am also in a web series now filming out of Philadelphia called The Drop Spot produced, written directed by Nicole Stephenson, her daughter Christina Evelyn and Loretta Graham  

PAFIA has been working hard on increasing the film tax credit in Pennsylvania and bringing more film work to our local crew and talent, but we must all unite to really make a difference. What can you tell our elected officials about the importance of PA film industry and the difference it has made in your life?
When I was working on the board of the California company Pets Central Media, we were forming a partnership with Philadelphia local Beryl Wolk (now deceased) and looking for where best to film our edutainment series. At the time we discovered and were quite impressed with the facilities in Aston, Pennsylvania of Sun Center Studios.  Based on their getting the tax credit they had assumed in their projections we were ready to go forward but for other reasons our plans did not pan out.  It was then that I realized how important the tax credit was and how advantageous financially it was with these credits to have filming In the greater Philadelphia area.

What is your advice for the aspiring actors and filmmakers? 
I can speak best to the Acting side -constantly work on your craft. When you are not on set or rehearsing you need an “acting gym “ In Philadelphia there are some great training programs I personally have  attended Playhouse West with Tony Savant , the Actors Lab in Wayne with Bryan Fox,  Ken McGregor’s master classes and coaching and classes with Drucie McDaniel. I can honestly say they are all excellent and as good as training in LA and New York plus you would  have a very close knit community of serious professionals and should  take advantage of these relationships, you can be readers for each other,  film each other ‘s auditions and if you’re smart you’ll create your own projects and cast each other.  Get really good headshots from professionals who know the business and learn what types are in your wheelhouse. Those are the parts you should audition for.

What are some good strategies to find more gigs?
I’ve always found Film.org, Actors Access, Backstage and Casting Network to have the most casting notices. Of course having a good agent is important. Knowing and developing a good relationship with casting directors is also important. There are Facebook groups for actors that will list upcoming projects (you can learn the names from other actors you work with)  go to industry meet and greets and bring your headshot and resume. There are also opportunities in New York to meet casting directors at for example One on One or Actors Connection but this can be rather costly.

What are some of the most valuable lessons that you have learned about this industry and wish you knew earlier?
I wish I had realized early on how important it was to fully prepare for an audition… It’s not just learning the lines it’s watching the show if it’s a TV series (knowing the tempo, who the other characters are, production style, etc.) or looking at other work of the director.  If it’s a commercial understand everything about the product  Also had I realized that it’s not whether you are cast in the particular role you’re auditioning for but more importantly the impression you’re making on the casting director then  it becomes a more enjoyable process. It’s true you are really auditioning for the house and will be brought in for other things if you give the best of yourself.  ...a little patience goes a long way.

What is your favorite film shot in Pennsylvania?
A three-way tie:  Witness a real nail biter and the pivotal scene was at 30th St. Station, Sixth Sense it took place in a South Philly row house like mine and In Her Shoes.  I couldn’t believe the scene at the Jamaican Jerk Hut at 1436 South St., a former favorite hangout of mine.

What is your favorite project that you worked on?
My favorite local PA film was the feature film What Do I Do Now.  It was based on a true story and for my character Bubby I felt I channeled my own grandmother.  It ties with the ongoing series Sangre Negra where I play Alexandra Levy a savvy socialite widow. 

What is your biggest aspiration in this industry?
To have a recurring role in a popular series (fingers crossed that will be Sangre Negra which is to be picked up by the El Rey network this year).  

What would be the best way for our local PA cast and crew to submit to your upcoming projects?
 If I have an upcoming project and there is casting going on I usually post it on social media.  I would encourage people to contact me on Instagram, FB or Julie-chapin.com.  I will reach out to other actors I know If I think they are good for a part that I know is in the works.